Mud Dyeing on Amami Ōshima

Taiga Takahashi
Fig.1 

To get to the island of Amami Ōshima, off the southwest coast of Japan (1)

Amami Ōshima is an island in the Amami archipelago, southwest Japan.

, it takes eleven hours by boat from Kagoshima. There, amongst the densely packed forest, for over 1,300 years, the local people have collected the bark (2)
Taiga Takahashi

Bark from the indigenous Sharinbai tree.

from the indigenous Sharinbai tree. They shred the wood and pile it into a cage (3)
Taiga Takahashi

The bark from the indigenous Sharinbai tree is shredded and piled it into a cage.

, cautiously lowering it into a vat of water heated by a furnace.

After waiting patiently, sometimes for as long as a week, the gurgling liquid produces a dye. Hands stained deep blue, lower the fabric into the liquid' soup,' turning it over and over. The dye is mixed with an alkaline solution to equalise the pH; historically, this was dried coral; now, it is lime.

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Fig.2 Sharinbai tree
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Fig.3 Sharinbai tree liquid
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Fig.4 Sharinbai mixing
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Fig.5 Drying
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Fig.6 Washing
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Fig.7 Heat Kiln

Once the Kanai has repeated this three times, they carry the fabric outside, where iron-rich mud pits are dug from the island's remaining ancient layers of primitive sediment, dating back 1.5 million years. They submerge the fibres into the dirt.

Once the fabric is ready, they climb to the stream that meanders down the hillside to wash the cloth.

It emerges a luscious black or deep brown. For the collection, we have used this technique for thirteen of the garments. We decided to return to a hand-made process, shunning technology, and mass-production. Each garment is unique and will change with age – like a Japanese garden.

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Fig.8 Once the garment is dyed it is taken to the iron-rich mud pits
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Fig.9 The garment is submerged in the iron-rich mud pits
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Fig.10 The mud covers the entire garment
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Fig.11 Once the mud covers the garment
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Fig.12 The garment is rinsed
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Fig.13 The garment is laid out to dry